About the music of Ellen Lindquist

“Ellen’s music, subtle and refined, is highly expressive and yet free from cliché. Her compositional voice is striking and immediately captures the attention of the listener.”
—Alan Bise, Producer, Azica Records Read more »

Review: Drömseminarium (Dream Seminar)

“Ellen Lindquist’s music is consistently excellent: spacious, but also dense and rich.”
—Friday, June 19, 2009, Johan Lif, Västmanlands Läns Tidning, Sweden

“Ellen Lindquists musik är genomgående utmärkt: spatiös, men också tät och innehållsrik.”
—Fredag 19 juni 2009, Johan Lif, Västmanlands Läns Tidning, Sverige Read more »

Review: For the Living and the Dead (now titled Drömseminarium)

“When the process was changed to the artistic the results became magnificent. The final piece, Romanska Bågar, was billowing and beautiful, with a free rhythmic flow, richly-coloured instrumentation, and melodies that slid in and out of each other in shimmering balance. … For the Living and the Dead will be premiered in Sweden in 2009 — an event worth the wait.
—Johan Lif, Västmanlands Läns Tidning, Sverige Read more »

Review: I Dream’d in a Dream

“Particularly memorable [was]… the murmuring of (spoken) voices under a violin solo in Lindquist’s “I Dream’d in a Dream.”
—Christopher Hyde, The Portland Press Herald Read more »

Three Excursions

“…An exceptionally interesting and musically challenging piece….  Students will enjoy performing this.”
Martie Perry, Orchestra Director, Crestwood Middle School, Chesapeake, VA Read more »